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La Révolution Surréaliste
''La Révolution surréaliste'' (English: ''The Surrealist Revolution'') was a publication by the Surrealists in Paris. Twelve issues were published between 1924 and 1929. Shortly after releasing the first ''Surrealist Manifesto'', André Breton published the inaugural issue of ''La Révolution surréaliste'' on December 1, 1924. Pierre Naville and Benjamin Péret were the initial directors of the publication and modeled the format of the journal on the conservative scientific review ''La Nature.'' The format was deceiving, and to the Surrealists' delight, ''La Révolution surréaliste'' was consistently scandalous and revolutionary. The journal focused on writing with most pages densely packed with columns of text, but also included reproductions of art, among them works by Giorgio de Chirico, Max Ernst, André Masson and Man Ray. Selected issues Issue 1 (December 1924): The cover of the initial issue announced the revolutionary agenda of ''La Révolution surréaliste'' with, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Revolution Surrealiste Cover
LA most frequently refers to Los Angeles, the second most populous city in the United States of America. La, LA, or L.A. may also refer to: Arts and entertainment Music *La (musical note), or A, the sixth note *"L.A.", a song by Elliott Smith on ''Figure 8'' (album) * ''L.A.'' (EP), by Teddy Thompson *''L.A. (Light Album)'', a Beach Boys album * "L.A." (Neil Young song), 1973 *The La's, an English rock band *L.A. Reid, a prominent music producer *Yung L.A., a rapper *Lady A, an American country music trio * "L.A." (Amy Macdonald song), 2007 *"La", a song by Australian-Israeli singer-songwriter Old Man River *''La'', a Les Gordon album Other media * l(a, a poem by E. E. Cummings *La (Tarzan), fictional queen of the lost city of Opar (Tarzan) *''Lá'', later known as Lá Nua, an Irish language newspaper *La7, an Italian television channel *LucasArts, an American video game developer and publisher * Liber Annuus, academic journal Business, organizations, and government agenc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Exquisite Corpse
Exquisite corpse (from the original French term ', ) is a method by which a collection of words or images is collectively assembled. Each collaborator adds to a composition in sequence, either by following a rule (e.g., "The ''adjective'' ''noun'' ''adverb'' ''verb'' the ''adjective'' ''noun''." as in "The green duck sweetly sang the dreadful dirge.") or by being allowed to see only the end of what the previous person contributed. History This technique was invented by surrealists and is similar to an old parlour game called consequences in which players write in turn on a sheet of paper, fold it to conceal part of the writing, and then pass it to the next player for a further contribution. Surrealism principal founder André Breton reported that it started in fun, but became playful and eventually enriching. Breton said the diversion started about 1925, but Pierre Reverdy wrote that it started much earlier, at least as early as 1918. Exhibition catalogue, ', La Dragonne, Galeri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Institute Of Chicago
The Art Institute of Chicago, founded in 1879, is one of the oldest and largest art museums in the United States. The museum is based in the Art Institute of Chicago Building in Chicago's Grant Park (Chicago), Grant Park. Its collection, stewarded by 11 curatorial departments, includes works such as Georges Seurat's A Sunday Afternoon on the Island of La Grande Jatte, ''A Sunday on La Grande Jatte'', Pablo Picasso's ''The Old Guitarist'', Edward Hopper's ''Nighthawks (Hopper), Nighthawks'', and Grant Wood's ''American Gothic''. Its permanent collection of nearly 300,000 works of art is augmented by more than 30 special exhibitions mounted yearly that illuminate aspects of the collection and present curatorial and scientific research. As a research institution, the Art Institute also has a conservation and conservation science department, five conservation laboratories, and Ryerson & Burnham Libraries, Ryerson and Burnham Libraries, one of the nation's largest art history and ar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New York City
New York, often called New York City (NYC), is the most populous city in the United States, located at the southern tip of New York State on one of the world's largest natural harbors. The city comprises five boroughs, each coextensive with a respective county. The city is the geographical and demographic center of both the Northeast megalopolis and the New York metropolitan area, the largest metropolitan area in the United States by both population and urban area. New York is a global center of finance and commerce, culture, technology, entertainment and media, academics, and scientific output, the arts and fashion, and, as home to the headquarters of the United Nations, international diplomacy. With an estimated population in 2024 of 8,478,072 distributed over , the city is the most densely populated major city in the United States. New York City has more than double the population of Los Angeles, the nation's second-most populous city. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
VVV (magazine)
image:Matta_VVV.jpg, The cover of the final issue was designed by Roberto Matta and depicted a vagina dentata. ''VVV'' was a magazine devoted to the dissemination of Surrealism published in New York City from 1942 through 1944. It was the product of leading Surrealists. History and profile ''VVV'' was first published in June 1942. The magazine was published and edited by David Hare (artist), David Hare in collaboration with Marcel Duchamp, André Breton, and Max Ernst. ''VVVs editorial board also enlisted a number of associated thinkers and artists, including Aimé Césaire, Philip Lamantia, and Robert Motherwell. Each edition focused on "poetry, plastic arts, anthropology, sociology, (and) psychology," and was lavishly illustrated by Surrealist artists, including Giorgio de Chirico, Roberto Matta and Yves Tanguy. The magazine was experimental in format and in content. ''VVV'' included fold-out pages, sheets of different sizes and paper stock, and bold typography and color. The s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
View (magazine)
''View'' was an American literary and art magazine published from 1940 to 1947 by artist and writer Charles Henri Ford, and writer and film critic Parker Tyler. The magazine is best known for introducing Surrealism to the American public.Ford, Charles Henri (editor), ''View: Parade of the Avant-Garde'', Thunder's Mouth Press, 1991. The magazine was headquartered in New York City. The magazine covered the contemporary avant-garde and Surrealist scene, and was published quarterly as finances permitted until 1947. ''View'' featured cover designs by renowned artists with the highly stylised typography of Tyler along with their art, and the prose and poetry of the day. Many of the contributors had been living in Europe, but took refuge in the U.S. during World War II bringing with them the avant-garde ideas of the time and precipitating a shift of the center of the art world from Paris to New York. It attracted contributions from writers like Wallace Stevens, an interview with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Minotaure
''Minotaure'' was a Surrealism, Surrealist-oriented magazine founded by Albert Skira and Tériade, E. Tériade in Paris and published in French between 1933 and 1939. ''Minotaure'' published on the plastic arts, poetry and literature, the avant garde, as well as articles on esoteric and unusual aspects of literary and art histories. Also included were psychoanalytical studies and artistic aspects of anthropology and ethnography. It was a lavish and extravagant magazine by the standards of the 1930s, profusely illustrated with high quality reproductions of art, often in color.Suarez, Jillian (September 25, 2014)Minotaure: Surrealist Magazine from the 1930s. guggenheim.org Accessed 15 October 2019Matteson, Richard L. (2008-2019''Paris: The Heart of Surrealism 1924'' [From Documents of Dada and Surrealism: Dada and Surrealist Journals in the Mary Reynolds Collection, The Art Institute of Chicago/nowiki>]: http://www.mattesonart.com/home.aspx. Accessed 15 October 2019Rubin, William S. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Albert Skira
Albert Skira (1904–1973) was a Swiss people, Swiss art dealer, publisher and the founder of the Skira (publisher), Skira publishing house. The Skira publishing house, Editions d'Art Albert Skira Skira founded the Skira (publisher), eponymous publishing house in Lausanne in 1928, at various times known as Skira, Editions d'Art Albert Skira, and Skira Editore. During the 1930s Skira opened an office in Paris and the publishing house became a meeting place for important artistic figures of the time. In 1933, Skira contacted André Breton about a new journal, which he planned to be the most luxurious art and literary review the Surrealism, Surrealists had seen, featuring a slick format with many color illustrations. Skira's restriction was that Breton was not allowed to use the magazine to express his social and political views. Later that year ''Minotaure'' began publication, and continued until 1939. In addition to ''Minotaure'' Skira published several volumes of literature and p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Surrealisme Au Service De La Revolution
''Le Surréalisme au service de la révolution (Surrealism in the service of the revolution)'' was a periodical issued by the Surrealist Group in Paris between 1930 and 1933. It was the successor of ''La Révolution surréaliste'' (published 1924–29) and preceded the primarily surrealist publication ''Minotaure'' (1933 to 1939). After the writing of his ''Second Manifesto of Surrealism'' (1929), which announced the expulsions of several prior surrealists due to theoretical differences, André Breton and his supporters developed a new, more politically charged publication. The first issue of ''Le Surréalisme au service de la révolution'' was published in June 1930, and was followed by five more issues through 1933. Contributors included André Breton, Paul Éluard, René Crevel, Tristan Tzara, Salvador DalÃ, René Char, Benjamin Péret, Louis Aragon, and Luis Buñuel, among others. Selected issues Issue 1 features writings by Breton, Éluard, Crevel, Tzara, DalÃ, Char, Pà ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Acéphale
''Acéphale'' () is the name of a public review created by Georges Bataille (which numbered five issues, from 1936 to 1939) and a secret society formed by Bataille and others who had sworn to keep silent. Its name is derived from the Greek wikt:ἀκÎφαλος, ἀκÎφαλος (''akephalos'', literally "headless"). ''Acéphale'', the review Dated 24 June 1936, the first issue was only eight pages. The cover was illustrated by André Masson with a drawing openly inspired by Leonardo da Vinci's famous drawing of ''Vitruvian Man'', who embodies classical reason. Masson's figure, however, is headless, his groin covered by a skull, and holds in his right hand a burning heart, while in his left he wields a dagger. Under the title ''Acéphale'' are printed the words ''Religion. Sociologie. Philosophie'', followed on the next line by the expression ''the sacred conjuration'' (''la conjuration sacrée''). The first article, signed by Bataille, is titled "The Sacred Conjuration" and cl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michel Leiris
Julien Michel Leiris (; 20 April 1901, Paris – 30 September 1990, Saint-Hilaire, Essonne) was a French surrealist writer and ethnographer. Part of the Surrealist group in Paris, Leiris became a key member of the College of Sociology with Georges Bataille and head of research in ethnography at the CNRS. Biography Michel Leiris obtained his ''baccalauréat'' in philosophy at the Lycée Janson de Sailly in 1918 and after a brief attempt at studying chemistry, he developed a strong interest in jazz and poetry. Between 1921 and 1924, Leiris met a number of important figures such as Max Jacob, Georges Henri Rivière, Jean Dubuffet, Robert Desnos, Georges Bataille and the artist André Masson, who soon became his mentor. Through Masson, Leiris became a member of the Surrealist movement, contributed to ''La Révolution surréaliste'', published ''Simulacre'' (1925), and ''Le Point Cardinal'' (1927), and wrote a surrealist novel ''Aurora'' (1927–28; first published in 1946). In 192 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Georges Bataille
Georges Albert Maurice Victor Bataille (; ; 10 September 1897 – 8 July 1962) was a French philosopher and intellectual working in philosophy, literature, sociology, anthropology, and history of art. His writing, which included essays, novels, and poetry, explored such subjects as eroticism, mysticism, surrealism, and Transgressive fiction, transgression. His work would prove influential on subsequent schools of philosophy and social theory, including post-structuralism. Early life Georges Bataille was the son of Joseph-Aristide Bataille (b. 1851), a tax collector (later to go blind and be paralysed by neurosyphilis), and Antoinette-Aglaë Tournarde (b. 1865). Born on 10 September 1897 in Billom in the region of Auvergne (province), Auvergne, his family moved to Reims in 1898, where he was baptized. He went to school in Reims and then Épernay. Although brought up without religious observance, he converted to Catholicism in 1914, and became a devout Catholic for about nine years ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
